Artemis Fowl

artemis fowl

Ferdia Shaw, Lara McDonnell, Nonso Anozie, Dame Judi Dench, Colin Farrell
Directed by Kenneth Branagh
Rating: C+
Post-credits scene: No

Disney’s latest take on bringing books to film following the disaster of “A Wrinkle in Time” is actually one that I think is successful, and would benefit by producing a sequel.

“Artemis Fowl” is an adventurous tale of a young boy, Artemis (Shaw), following in his father’s criminal footsteps while learning that a bit of magic does, in fact, exist in the world. Truth be told, it has been a good decade since I’ve read any of the “Artemis Fowl” books (there are eight total by Irish author Eoin Colfer), so if you read the book series summaries, you will most likely be devastated by the changes Branagh has brought on screen. If you leave the book behind, you will find a charming tale of unlikely friendships, a surprising world of magic, and an interesting story to follow.

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I think because this take on “Artemis Fowl” takes audiences into a journey of magic, the movie loses its focus by trying to explain itself. This adaptation of the series actually seems to combine elements of the first two books, but ended up still being a bit… boring. During the movie, I couldn’t help but catch myself thinking that if only we could move from all the explanations, we could have a fun movie on our hands.

A majority of the action takes place at Fowl Manor as Artemis holds Fairy Holly Short (McDonnell) of the Lower Elements Police Reconnaissance force (LEPRecon) hostage. Artemis is assisted by his bodyguard Butler (Anozie) and Butler’s niece, Juliet. Holding a fairy hostage is no easy task, and capturing one wasn’t, either. Yet Artemis is desperate to save his father who is a captive himself by an unknown dark force in the fairy underworld.

I was surprised to see some well-known faces appear, such as Josh Gad as “Mulch Diggums” and Dame Judi Dench as “Commander Root”. While Gad portrayed a goofy, but sincere character that narrates the story for us, Dame Dench on the other hand is a gravelly elf commander that sounds like she’s smoked one too many cigarettes. I think it would have been a little more refreshing to have an unfamiliar actor in the role.

At the end of the day, I think Disney’s intended audience (children rather than book lovers) are going to enjoy “Artemis Fowl”, and won’t care whether it’s true to the story or not. Sadly, I don’t expect we’ll see a sequel to this, which would be more successful because the movie won’t have to be explained and we can just jump into the action.

 

Photo credit: https://www.rogerebert.com/reviews/artemis-fowl-movie-review-2020

The Gentlemen

gentlemen
Matthew McConaughey, Charlier Hunnam, Hugh Grant, Henry Golding, Michelle Dockery, Jeremy Strong, Colin Farrell
Directed by Guy Ritchie
Rating: B+
Post-credit scenes: just dancing/rapping

An American gangster named Mickey Pearson (McConaughey) is approaching retirement but finds his London empire threatened as he seeks a new head to take it over.

“The Gentlemen” is a surprisingly fun, new-ish (2019 but theatrically released in 2020) gangster movie that has the right cast to pull it together. It’s full of intrigue, drama, violence and has just the right amount of sleaziness without making it too cheesy.

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Justice League

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Ben Affleck, Henry Cavill, Gal Gadot, Ezra Miller, Jason Momoa, Ray Fisher
Directed by Zack Snyder
Rating: B: would most likely buy on DVD, but not in love with it.

There’s something about a superhero movie where the good guys team up to fight the bad ones that is just so appealing.

Set in a different universe than the Box Office hogs from Marvel comics, the DC heroes of Gotham, Metropolis, and elsewhere finally get together to kick some alien butt. This has been years in the making, with a slow crawl from Superman’s “Man of Steel” to introducing Batman in “Batman v Superman: Dawn of Justice,” to finally getting a Wonder Woman movie.

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Ghost in the Shell (2017)


Scarlett Johansson, Pilou Asbaek, Michael Pitt
Directed by Rupert Sanders
Rating: B

A woman is saved from a terrorist attack but only just so: her brain was the only part of her salvageable, and when she wakes up she discovers she is living in a cyborg body commanded by the military.

Christened as “Major” (Johansson), she is the first of her kind, and the title of the movie is a metaphor for how while made of metal parts, Major’s humanity remains in the ‘shell’ of a body. Major struggles to fit in society as everyone else sees her as human and all that is left of her past is a fog.

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Beauty and the Beast

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Emma Watson, Dan Stevens, Luke Evans, Ewan McGregor
Directed by Bill Condon
Rating: A

Disney takes audiences back to “a tale as old as time” in this live-action version of Beauty and the Beast, and it proves that it is timeless as well.

Belle is a blossoming young woman in a provincial town in France. She stands out for her passion of reading and is a headstrong, intelligent character. She takes care of the house when her father goes to the market, as her mother died when she was a baby and there is no one else to look after it. One day her father’s horse comes home alone and Belle discovers that he had become a prisoner in a castle hidden away in the woods. The master of the castle, a large two-legged ‘Beast,’ tells Belle her father will be imprisoned forever, but Belle manages to take his place instead.

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Silence

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Andrew Garfield, Adam Driver, Liam Neeson
Directed by Martin Scorsese
Rating: A

How far would you go to prove your faith?

In 17th century Japan, Catholics were persecuted for their belief in God and so many went into hiding. Two Jesuit priests from Portugal ask permission to travel to this dangerous country to seek out Father Ferreira (Neeson) who has been missing in Japan for years, and they believe to be in hiding.

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Trolls

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Anna Kendrick, Justin Timberlake, James Corden, Russel Brand
Directed by Walt Dohrn, Mike Mitchell
Rating: B+

Sometimes being too happy hurts people.

At least, that’s what Branch (Timberlake), the village downer, thinks. For 20 years the trolls have lived happily and peacefully away from the Bergens, a tribe of ugly and mean giants that made a tradition out of eating trolls because it was the one time a year they could feel pure happiness.

Poppy (Kendrick) has been planning the most festive of events to celebrate the 20 years she and her friends were saved by her father, the king. She ignore’s Branch’s warnings about attracting the Bergen’s attentions and comes to regret it when an exiled Bergen captures some of her friends.

Now, Poppy must brave the journey toward the Bergen’s village and find a way to get her friends back before they’re all eaten.

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Moana


Auli’i Cravalho, Dwayne Johnson
Directed by Ron Clements, Don Hall, John Musker, Chris Williams
Rating: A

Disney did it again. Their newest princess (or non-princess, according to Moana herself) takes to the waves and shows courage when no one else is up to face the challenge. Moana might just be my new favorite Disney character.

Moana comes from a proud line of chieftains and lives on a Polynesian island where peace and harmony work hand-in-hand. The only bit of mischief that ever seems to occur is from Moana, who has a strong calling to the ocean, and her grandmother, who seems to encourage it. Her father scolds her for getting near the water and doesn’t want anyone to pass the border of the reef.

When the coconuts collected during harvest have all gone rotten one day and the fishermen can’t collect any fish, signs of trouble worry the islanders. Only Moana is brave enough to seek Maui outside the safety of the island. Maui is a demigod, who was responsible for starting the curse that has pushed islanders to travel from island to island when it destroys their home. Only he can restore the islands back to a healthy, growing community, but he must be found first.

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The Help


Emma Stone, Viola Davis, Octavia Spencer, Bryce Dallas Howard
Directed by Tate Taylor
Based on the book by Kathryn Stockett
Rating: B-

In Jackson, Mississippi a young woman decides to stir up trouble by writing a controversial anthology of stories told by the perspective of “The Help,” but no one is willing to talk.

It’s a time in which the civil rights movement is only just beginning and Dr. Martin Luther King Jr. is making his voice heard. It’s said that Jackson is among the worst in the south to treat colored people and times are not getting any better.

An ambitious young woman named Skeeter (Stone) wants to let colored maids share their perspective of working for white families and raising white children only for the kids to grow up to behave like their parents. After recruiting one maid named Aibileen (Davis), she begins to uncover the troubled lives of colored people. Meanwhile, Skeeter’s interest in colored lives gets her shut out of her circle of friends who wish to preserve life as it is.

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Bridget Jones’s Baby

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Renee Zellweger, Colin Firth, Patrick Dempsey
Directed by Sharon Maguire
Rating: A

Bridget Jones is BACK!

Another sequel that deals with more drama as Bridget juggles two men once again, and yet Bridget Jones’s Baby is a must-see for those who loved the previous two movies.

Bridget (Zellweger) finds herself single at age 43, but has kicked the cigarette habit and is down to her ideal weight. She is more confident in herself and has climbed up the corporate ladder to a successful career in the news. Yet her mum has to remind Bridget during a birthday phone call that life is passing her by and still no husband or baby. The clock is ticking, Bridget.

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